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Schlock-Optic
Schlock-Optic
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RED DAWN (1984): Macho, Misunderstood And More Complex Than You Remember
March 2, 2021
The Personal Take: BAD GIRLS (2021)
February 16, 2021
FADE TO BLACK: Los Angeles And Lost Souls
February 9, 2021
Schlock-Wire
Schlock-Wire
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Schlock-Wire: Martin Popoff’s “User Manual” For Glam Rock Legends SWEET Now Available
February 24, 2021
Schlock-Wire: Pre-Buy Your Copy of BAD GIRLS, The New Film From The Director Of THE THETA GIRL
November 3, 2020
Schlock-Wire: Join Rebeller And See Mike Malloy’s ’70s Indie Mob Movie Documentary For Free
April 3, 2020
Schlock-O-Phonic
Schlock-O-Phonic
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RUSH – GRACE UNDER PRESSURE: Dual-Level Heaviness Within The Synth Prog
March 5, 2021
CATALOG CRAWL: ANGEL, Part 3 (2015-2019, Including Solo Albums)
February 26, 2021
CATALOG CRAWL: ANGEL, Part 2 (1978-1980)
February 5, 2021
Schlock-U-Ments
Schlock-U-Ments
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PAPERBACK MATINEE: FADE TO BLACK by Ron Renauld
February 12, 2021
THE FORTUNE: An Angel’s Winding Road Into Hard Rock History
January 29, 2021
LIMELIGHT: RUSH IN THE ’80s: The Challenging Middle Era Of A Prog Colossus
January 8, 2021
Schlock-Ephemera
Schlock-Ephemera
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Top Trailers: SILENT SCREAM – The T.V. Spot
February 23, 2021
Top Trailers: ANY GUN CAN PLAY
January 26, 2021
Top Trailers: HANNA D. – THE GIRL FROM VONDEL PARK
January 12, 2021
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RUSH – GRACE UNDER PRESSURE: Dual-Level Heaviness Within The Synth Prog
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FACE DANCER – THIS WORLD: Arena Rock As Seen In A Funhouse Mirror
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POPOFF’S TOP 20: FOGHAT & LED ZEPPELIN: Developing A Stealth Approach To Unorthodox Rock Critiques
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Month:
November 2017
BLOOD FREAK: The Ultimate Thanksgiving Schlock Epic
November 22, 2017
IT CAME FROM THE VIDEO AISLE!: A Captivating Chronicle Of B-Movie Resilience
November 20, 2017
PRIME CUT: All-American Crime With A Shot Of Surreal Satire
November 17, 2017
EMPIRE OF THE B’S: The Rise And Fall Of The Ultimate ’80s Exploitation Empire
November 15, 2017
MOTT THE HOOPLE – MAD SHADOWS: Bruised Artistry Amid The Chaos
November 9, 2017
THE STONE KILLER: Gunning For Gangsters The Bronson/Winner Way
November 7, 2017
EFFECTS: A Romero-Esque Look At Indie Horror Filmmaking
November 1, 2017
