Rock and roll developed within a cage provided by the music business, which attempted to apply a sense of traditional order to an art form designed to overthrow...
For the first few albums of the Move's lifecycle, Roy Wood was carrying the entire songwriting load of the project on his shoulders alone. To his credit, he did...
The integration of disco and orchestras was big business in the mid-'70s. At its best, this marriage of musical elegance and relentless groove perfected the gl...
The Move was a success at home, with a string of hit singles from their inception and a top-20 album in 1968, a year where competition on the U.K. charts was do...
Amongst aficionados of English rock, knowledge of The Move is a topic that separates the professionals from the dilettantes. They were a phenomenon in their ho...
Sweet had a long road to respectability as rockers. Like a lot of young acts in the U.K. during the late '60s and early '70s, they made a bid for music busines...
It is one of several bitter ironies in the Mott The Hoople story that they delivered the finest album of their Island Records era at a time when they felt forgo...
All of the Mott The Hoople albums from their Island Records era have their partisans but if one had to be singled out as the least popular of the group, it woul...
Like many a horror fan raised in the VHS age, Schlockmania obtained an education in Italian horror and cult fare at the local video store. The boxes and ad copy...
If the first Mott The Hoople album was a magical bit of alchemy that was quickly willed into existence then their second album, Mad Shadows, was the hard-won re...
Michael Winner was on a hot streak in the first half of the '70s, cranking out one crackerjack "guy's movie" after another. Several of these films were done wi...
John Luongo's name isn't thrown around as much as the usual disco-remix suspects - Tom Moulton, Walter Gibbons, Larry Levan, etc. - but he's every bit as succes...
