Animation for grownups is an accepted thing now in the U.S., be it The Simpsons or any number of imported anime. However, there was a time where it was conside...
As it has been stated at Schlockmania before, it's amazing how perceptions of foreign genre directors change as more of their filmography becomes available on h...
Schlockmania's look at the debut season of this key '80s cop show continues with six more key episodes. Like the episodes covered in the first half of this ove...
This fun quickie represents a double cash-in: not only does it capitalize on the mid-to-late 1970’s customized van trend, it also acts a pseudo-adaptation of th...
There are two things Schlockmania loves about Italian genre cinema of the '70s and '80s. The first is its habit of taking a popular American film and doing a h...
One of the major reasons that 1970's exploitation movies are so attractive to cult movie fans is their sense of freedom. Not only do they offer more excitement ...
Few shows have ever captured the zeitgeist the way Miami Vice did. It took a buddy cop dynamic as old as Dragnet and gave it a brand new style that built on an...
You can't discuss Spanish horror cinema without mentioning Jacinto Molina, a.k.a. Paul Naschy. He was Spain's Lon Chaney, Bela Lugosi and Boris Karloff all in ...
At a time when it seems like every cult movie has been unearthed and analyzed six ways from Sunday, it's a comfort to learn that there are still obscure classic...
One of the biggest and best surprises for the cult movie in 2016 world was Bone Tomahawk, the directing debut of erstwhile novelist S. Craig Zahler. As a filmm...
Aristide Massacessi, best known by his pseudonym Joe D'Amato, is perhaps the most fearless of directors to emerge from the Italian horror/exploitation scene of ...
Cuneyt Arkin isn't a widely known name in English-speaking cult movie circles but those who have experienced his work seldom forget it. He was an action hero o...
