If Schlockmania has a single criticism of film writing in this post-blogging era, it's that the writers often demand total ego gratification without giving back...
A cinephile's view of a filmmaker is often shaped by their first experience with the filmmaker's work, particularly if there's not a lot of information availabl...
John Carpenter once joked that after the apocalypse happens, two things will survive: "Cockroaches and Charlie Band."Â That soundbite doesn't sound kind but it'...
The death of the drive-ins and the slow fade of the video rental market took out many an exploitation mogul but they failed to break the spirit of Charles Band....
At this point in cult film culture, it's easy to feel like everything that needs to be explored has been explored. Want to buy a book on Cannibal Holocaust or ...
As Schlockmania has said before, The Journal Of Interstitial Cinema is the best cult movie mag you've never read. Unlike today's blog-driven film culture, the ...
A few years ago, Schlockmania reviewed Bronson's Loose, an excellent history of the Death Wish film series penned by Paul Talbot. It quickly became a favorite w...
Two-artist singles are a longstanding tradition in indie rock, giving two bands or performers the chance to increase exposure and decrease costs by sharing spac...
If you're into the modern cult film zine resurgence, you owe it to yourself to check out its best-kept secret: the Journal Of Interstitial Cinema. Schlockmania ...
The most interesting thing to happen in the cult movie scene in the last few years is the revival of the 'zine. Long after the internet supposedly murdered this...
Modern genre history dictates that the internet replaced the 'zine. To a large extent that is true but that didn't kill the fondness that horror and exploitati...
In an era of internet porn, it's hard to believe that there was a time when adult filmmaking was considered a theatrical event. However, there was a brief era ...
