Schlockmania F.A.Q.
Schlock Links
About

Search
Log in / Join

Schlock-Optic
Schlock-Wire
Schlock-O-Phonic
Schlock-U-Ments
Schlock-Ephemera

Remember Me

Lost your password?

Schlock-Optic
Schlock-Optic
See all
- Schlockmania’s Favorite Episodes From MIAMI VICE: Season 2 – Part 2
  June 21, 2018
- UPGRADE: The Revenge Movie Goes Cyberpunk
  June 19, 2018
- AMG DIRTY DOZEN 6/14/18: The Sex And Shaws And Rock & Roll Special Edition
  June 15, 2018
Schlock-Wire
Schlock-Wire
See all
- Schlock-Wire: Lone Star State B-Movie History TEXAS SCHLOCK Is Available Now
  March 19, 2018
- Schlock-Wire: Schlockmania-Penned Short Film PAGE-JUMPER To Premiere At Pensacon On February 24th
  January 29, 2018
- Schlock-Wire: Demon Records Pries Open The VAULT OF HORROR With A 2-LP/1 CD Italian Soundtrack Comp In December
  October 20, 2017
Schlock-O-Phonic
Schlock-O-Phonic
See all
- LOOKING ON – THE MOVE: An Incubator For Orchestral Electricity
  May 25, 2018
- SALSOUL ORCHESTRA – THE SALSOUL ORCHESTRA STORY: The Giddy, Glitzy Heights Of Orchestral Disco
  May 10, 2018
- THE MOVE – SHAZAM: When Flower Punks Become Cinemascope Rockers
  April 12, 2018
Schlock-U-Ments
Schlock-U-Ments
See all
- DRIVE-IN ASYLUM SPECIALS #1 And 2: Return To Print-Based Cinephilia
  April 19, 2018
- TEXAS SCHLOCK: La Vida Low-Budget From A Lone Star Perspective
  April 3, 2018
- HERE’S TO MY SWEET SATAN: Pop Culture’s Devilish Decade And A Half
  March 29, 2018
Schlock-Ephemera
Schlock-Ephemera
See all
Trending
Trending
Now Week Month

Hello Susie

THE MOVE – SHAZAM: When Flower Punks Become Cinemascope Rockers

April 12, 2018

Schlock Archives

▼ 2018 (49)
- 6June 2018 (6)
- May 2018 (10)
- April 2018 (8)
- March 2018 (8)
- February 2018 (8)
- January 2018 (9)
► 2017 (25)
- November 2017 (7)
- October 2017 (8)
- September 2017 (4)
- April 2017 (2)
- February 2017 (3)
- January 2017 (1)
► 2016 (292)
- December 2016 (9)
- November 2016 (19)
- October 2016 (22)
- September 2016 (25)
- August 2016 (18)
- July 2016 (24)
- June 2016 (34)
- May 2016 (26)
- April 2016 (27)
- March 2016 (37)
- February 2016 (28)
- January 2016 (23)
► 2015 (316)
- December 2015 (25)
- November 2015 (25)
- October 2015 (32)
- September 2015 (25)
- August 2015 (22)
- July 2015 (34)
- June 2015 (31)
- May 2015 (28)
- April 2015 (27)
- March 2015 (23)
- February 2015 (28)
- January 2015 (16)
► 2014 (218)
- December 2014 (11)
- November 2014 (24)
- October 2014 (19)
- September 2014 (21)
- August 2014 (14)
- July 2014 (20)
- June 2014 (21)
- May 2014 (30)
- April 2014 (11)
- March 2014 (18)
- February 2014 (15)
- January 2014 (14)
► 2013 (287)
- December 2013 (22)
- November 2013 (21)
- October 2013 (33)
- September 2013 (23)
- August 2013 (32)
- July 2013 (19)
- June 2013 (22)
- May 2013 (24)
- April 2013 (27)
- March 2013 (22)
- February 2013 (23)
- January 2013 (19)
► 2012 (299)
- December 2012 (19)
- November 2012 (30)
- October 2012 (27)
- September 2012 (24)
- August 2012 (23)
- July 2012 (24)
- June 2012 (23)
- May 2012 (26)
- April 2012 (30)
- March 2012 (28)
- February 2012 (22)
- January 2012 (23)
► 2011 (329)
- December 2011 (28)
- November 2011 (23)
- October 2011 (31)
- September 2011 (29)
- August 2011 (26)
- July 2011 (31)
- June 2011 (27)
- May 2011 (29)
- April 2011 (29)
- March 2011 (30)
- February 2011 (24)
- January 2011 (22)
► 2010 (320)
- December 2010 (24)
- November 2010 (22)
- October 2010 (27)
- September 2010 (35)
- August 2010 (26)
- July 2010 (22)
- June 2010 (24)
- May 2010 (31)
- April 2010 (27)
- March 2010 (37)
- February 2010 (28)
- January 2010 (17)
► 2009 (4)
- December 2009 (4)

Schlock Pages

Schlockmania F.A.Q.
Schlock Links
About

Most Talked About

THINGS: What Do You Want From “Bad”?

THE FANGO FILES: Issue #04 – An Unexpected Case Of Starlog Envy

BLACK DEVIL DOLL: Stuck In Grindhouse Limbo With A Ventriloquist’s Dummy

Melody Plus Muscle: What Exactly Is AOR Music?

THE FANGO FILES: Issue #10 – Faeries And Robots Vs. Scanners And Frankenstein

Schlock Talk

SHOCKING DARK: Future Schlock A La Mattei – Schlockmania! on HUMANOIDS FROM THE DEEP: The Creature From The Schlock Lagoon
THE SOLDIER: ’80s Action Carnage In Pure Minimalist Form – Schlockmania! on THE EXTERMINATOR: The Grindhouse Answer To TAXI DRIVER?
AMG DIRTY DOZEN 5/31/18: The International House Of Schlock, With A Giallo, Turkish Pulp And Godzilla – Schlockmania! on BORN INNOCENT: The Blunt Force Effectiveness Of The ’70s T.V. Movie

Schlock-Optic
Schlock-Wire
Schlock-O-Phonic
Schlock-U-Ments
Schlock-Ephemera

2009-2017 - Donald A. Guarisco