This review throws out the Schlockmania rule­book because Drive is not schlock.  However, it deserves men­tion on this blog for two rea­sons.  The first is that it takes pulp fic­tion arche­types and con­ven­tions and recon­fig­ures them in an inter­est­ing way, cre­at­ing some­thing beau­ti­ful enough in its craft to qual­ify as an art­house film while skill­fully More >