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THE VALACHI PAPERS: Bronson Joins The Mob
April 24, 2018
REVENGE (2017): A Subversive Rebirth For The Rape-Revenge Genre
April 17, 2018
THE DRIVER: Walter Hill, Hollywood Minimalist
April 10, 2018
Schlock-Wire
Schlock-Wire
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Schlock-Wire: Lone Star State B-Movie History TEXAS SCHLOCK Is Available Now
March 19, 2018
Schlock-Wire: Schlockmania-Penned Short Film PAGE-JUMPER To Premiere At Pensacon On February 24th
January 29, 2018
Schlock-Wire: Demon Records Pries Open The VAULT OF HORROR With A 2-LP/1 CD Italian Soundtrack Comp In December
October 20, 2017
Schlock-O-Phonic
Schlock-O-Phonic
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THE MOVE – SHAZAM: When Flower Punks Become Cinemascope Rockers
April 12, 2018
MOVE – THE MOVE: A Flower Punk Kaleidoscope
March 15, 2018
SWEET – SWEET FANNY ADAMS: The Art Of Becoming One’s Own Glam-Rocker
March 6, 2018
Schlock-U-Ments
Schlock-U-Ments
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DRIVE-IN ASYLUM SPECIALS #1 And 2: Return To Print-Based Cinephilia
April 19, 2018
TEXAS SCHLOCK: La Vida Low-Budget From A Lone Star Perspective
April 3, 2018
HERE’S TO MY SWEET SATAN: Pop Culture’s Devilish Decade And A Half
March 29, 2018
Schlock-Ephemera
Schlock-Ephemera
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Towards A New Schlockmania…
September 5, 2017
Schlock-Wire: Review Roundup For OVERLAPPING SCENARIOS, A Short Film Written By The Mind Behind Schlockmania
January 16, 2015
NEW WORLD ON NETFLIX: A Schlockmania Review Collection
April 12, 2013
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The Best Cult Film Zine You Never Read: A Guide To The First Five Issues Of THE JOURNAL OF INTERSTITIAL CINEMA
1
4
THE VALACHI PAPERS: Bronson Joins The Mob
2
4
PRIVATE: Variations On The Tinto Brass Fetish Themes
3
Survivor
EYE OF THE TIGER: Adios Rocky, Hello Busey
March 18, 2013
SURVIVOR – PREMONITION: Power Chords Meet Power Ballads
December 28, 2010
SURVIVOR – S/T: The Hard Rock Center Of A Soft Rock Dynasty
December 2, 2010
Melody Plus Muscle: What Exactly Is AOR Music?
January 11, 2010
